By Elizabeth Wroten
On 05, Jul 2017 | In Review | By Elizabeth Wroten
This one appears to have gone out of print or is at least not available through Amazon. If you wouls like a copy you can buy it here through Kitaab World. I highly recommend ordering through them anyways. They have an amazing selection of books dealing with Islam and South Asian culture. Again, I can’t recommend enough getting more books about Muslims into all parts of your collection. This is a particularly lovely biography with wonderful illustrations and good information.
The Amazing Discoveries of Ibn Sina written by Fatima Sharafeddine, illustrated by Intelaq Mohammed Ali
Form Goodreads: Born in Persia more than a thousand years ago, Ibn Sina was one of the greatest thinkers of his time — a philosopher, scientist and physician who made significant discoveries, especially in the field of medicine, and wrote more than one hundred books. As a child, Ibn Sina was extremely bright, a voracious reader who loved to learn and was fortunate to have the best teachers. He memorized the Qur’an by the age of ten and completed his medical studies at sixteen. He spent his life traveling, treating the sick, seeking knowledge through research, and writing about his discoveries. He came up with new theories in the fields of physics, chemistry, astronomy and education. His most famous work is The Canon of Medicine, a collection of books that were used for teaching in universities across the Islamic world and Europe for centuries.
So I wasn’t totally captivated by the text in this one. It was in first person which I understand brings the reader closer to the subject, but it also made for a few awkward places. In looking further at the book I discovered that it was originally published in Arabic, which might explain the awkwardness. Things lost in translation.
Otherwise, Ibn Sina made me feel totally inadequate. NBD. He just finished his medical studies at 16. I mean I know it wasn’t like medical school these days, but still. 16. Clearly the man was a genius. The story of his accomplishments was really fascinating. He did a lot and was very interested in life long learning. He studied philosophy, education and even advocated for what we might today consider respectful parenting and teaching.
I wish there had been a little more historical context. He moved around a lot as an adult, but there was only a brief mention that one of the cities he lived in was frequently fighting with another. I think kids in the US will not be particularly familiar with the geography or history of the area or era and need more information. But I also understand that it could potentially make the book unwieldy and boring. A longer more detailed author’s note might have sufficed. I did appreciate that Sharafeddine noted that Islamic contributions to the world are rarely taught in US schools and that was a driving factor in bringing out this book.
I really like the illustrations. They’re done on a speckled brownish paper that makes the colors pop and is different from the usual white paper. The lines are so soft and the shading is spectacular. Everyone has these huge half moon eyes that make them kind of darling and friendly. The illustrations were done in colored pencil and are so saturated and rich.
I’ll definitely be buying this as our budget allows this year. We need more Islamic biographies and I don’t think we have anything on the Islamic Golden Age. The illustrations will entice my students to pick it up. My complaints about the text aren’t significant enough for me to not purchase it.
By Elizabeth Wroten
On 13, Jun 2017 | In Review | By Elizabeth Wroten
I bought Fatty Legs awhile back for the library and was able to hand sell it to several readers (and one parent looking for something that was #ownvoices and a historically accurate treatment of First Nations people. I didn’t get feedback from all the students who read it, but the ones I checked in with did enjoy the book (as much as you can enjoy a book about bullying and residential schools). I have edited the review below just a little bit because I think I see even more merit in this book than I originally did and I wanted the review to reflect that.
Fatty Legs: A True Story written by Christy Jordan-Fenton and Margaret Pokiak-Fenton, pictures by Liz Amini-Holmes
From Goodreads: The moving memoir of an Inuit girl who emerges from a residential school with her spirit intact.
Eight-year-old Margaret Pokiak has set her sights on learning to read, even though it means leaving her village in the high Arctic. Faced with unceasing pressure, her father finally agrees to let her make the five-day journey to attend school, but he warns Margaret of the terrors of residential schools.
I was pleasantly surprised by Fatty Legs. I expected a depressing book about the hardships of a boarding school meant to strip children of their language, culture and family. Certainly the school tried to do that. But they were in a for a run for their money with Margaret. She would not be dominated or crushed, although the two years she spent in school were damaging and depressing, it made her more determined.
I’m not opposed to sharing with children, even younger ones, the terrible things that have been done to native populations (North American and other places). I also feel depressing and disheartening books have their merit. Fatty Legs shows the despicable nature of these boarding schools, but it gives kids get a strong girl to identify with and root for. Margaret’s ability to be upbeat while telling a story that is, at heart, difficult, unjust, and upsetting is felt like a good balance for the age group the book is aimed at.
I know plenty of Native American children know of the horrors of these boarding schools and it’s incredibly important that we share that and talk about it in hopes that it doesn’t happen again. And in hopes of creating a generation of people who are more tolerant and understanding. I know I’ve said this before, but children are incredibly attuned to injustice and, for most, it’s infuriating. Fatty Legs does an excellent job of showing the injustice that will make kids angry, but without going over the top and making it a book parents (especially white parents) will balk at. In other words, kids will get it. They’ll know what happened wasn’t right and they’ll start asking questions and opening conversations.
The book includes photographs at the back of Margaret, her family, and many of the places mentioned in the story. In the text there are small notes in the margins directing the readers to these pictures which I think is unintrusive while providing some really interesting context. I’m amazed that she seems to have so many photographs of these critical moments from the story! It’s incredibly fortunate. There are also definitions of unfamiliar words down at the bottom of the page , which again is unintrusive, but provides context for kids who don’t know the words. Plus, what kid uses a glossary? The words are right there on the page, no need to flip back and forth breaking your concentration and flow.
My only complaint about the book is the format. The full color pictures and larger size of the book make it feel younger. It’s certainly appropriate for fourth graders and would make a great class read in third grade, even a strong third grade reader could pick it up on their own. But fifth grade and sixth grade, who would also make a perfect audience, might shy away from it purely based on looks. It drives me crazy when publishers do that to good books.
Excellent book for reflecting the experiences of many Inuit families and opening up discussions with non-native children who are probably ignorant of what went on less than a century ago.
By Elizabeth Wroten
On 07, Dec 2016 | In Review | By Elizabeth Wroten
From Goodreads: Berry Gordy began Motown in 1959 with an $800 loan from his family. He converted the garage of a residential house into a studio and recruited teenagers from the neighborhood-like Smokey Robinson, Mary Wells, Marvin Gaye, Stevie Wonder, and Diana Ross-to sing for his new label. Meanwhile, the country was on the brink of a cultural revolution, and one of the most powerful agents of change in the following decade would be this group of young black performers from urban Detroit. From Berry Gordy and his remarkable vision to the Civil Rights movement, from the behind-the-scenes musicians, choreographers, and song writers to the most famous recording artists of the century, Andrea Davis Pinkney takes readers on a Rhythm Ride through the story of Motown.
I love this book as a whole package. It’s square like a vinyl record and the cover looks like an old album cover with the font and lines. The woman on the cover is made with words that pertain to Motown and Hitsville and it looks really neat. I also love the color palette. Inside the page numbers are written on little records and the chapter titles use that same clean font you see on the front.
As far as the actual text, I’m lukewarm. It was incredibly fascinating the history and story presented and I was very engrossed in that. But Pinkney frames it as the story being told by “the groove” and the groove talks to a “child” as they drive along following the story. That narration comes with some extra text that introduces each chapter and also some stuff embedded in the chapters, like “Whenever it was time to perform, he had more than butterflies in his stomach. He was plagued with big-winged bats who had a flapping party in Marvin’s belly every time he was about to go onstage.” I can’t decide if kids will appreciate that and feel like it helps them understand the text and information more or if it’s just distracting and forced. Personally, it wasn’t my thing, but I also know kids have a hard time with dry straight facts so I think it might actually draw younger readers in. All in all, the story of Motown is incredible and an appendix lists songs young readers can look up and listen to (I highly recommend librarians and parents suggest they do this as they read!!). Only a handful of songs will be familiar to kids these days (and get off my lawn!).
So, we have this in our collection, a collection for pre-k through fifth grade. It’s definitely shelved in the more difficult nonfiction section. The book isn’t overly long and the chapters are mostly short, but it’s still a fair amount of text. It would be a handful of my fifth graders that could read this on their own. I’m of the mind, however, that we should be filling our shelves with high quality nonfiction that looks interesting, covers a range of topics, and will invite kids to at least flip through the books.I see it as the type of book you might hand to an open-minded kid who is willing to try any book you say is interesting or one who simply likes nonfiction and is open to just about any topic. In other words, I can certainly hand sell this one. I also think this is the kind of book that will appeal to a few special kids who are really interested in music and/or Motown and/or African American cultural history. Those kind of kids are also going to be motivated enough by interest that they’ll find ways to read the book despite a higher reading level. The book should certainly be on any middle school library (and even high school, those kids have less time to read for pleasure so give them some manageable stuff!) shelf where there is a music collection and it will definitely add to a nonfiction section in need of something interesting.
By Elizabeth Wroten
On 18, Oct 2016 | In Review | By Elizabeth Wroten
From Goodreads: The first national museum whose mission is to illuminate for all people, the rich, diverse, complicated, and important experiences and contributions of African Americans in America is opening.
And the history of NMAAHC–the last museum to be built on the National Mall–is the history of America.
The campaign to set up a museum honoring black citizens is nearly 100 years old; building the museum itself and assembling its incredibly far-reaching collections is a modern story that involves all kinds of people, from educators and activists, to politicians, architects, curators, construction workers, and ordinary Americans who donated cherished belongings to be included in NMAAHC’s thematically-organized exhibits.
This was really fascinating, but being a museum and history nerd it isn’t surprising that I was hooked. But would a kid be?
The book is not overly long and it focuses on the entire history of the museum, from the inception of the idea way back in the early 20th century, through appointing a head, to construction of the building, to building the collections. The process for how they acquired artifacts was clever and well done. There were the typical auction acquisitions, but they ran an Antiques Roadshow style event in several cities across the US. There they had people bring three items from their family heirlooms and they would give them some historical context. Any they were interested in they asked to keep and restore (and I believe purchase). Each chapter takes on a different piece of building the museum. Some of the more technical aspects, like signing it into law and finding a director may be less interesting to kids, but it isn’t overly detailed and lengthy.
The final two-page spreads focus on a variety of the exhibitions in the museum. There are pictures of artifacts with captions and some text that gives the context behind the exhibit. There is a music collection and an athletics collection that may really pique reluctant reader interest.
I was pleased to see a shout out to Sacramento. A white couple had bought a plane to restore and it turned out to be a plane that had been used to train Tuskegee Airmen. A number of them had even signed the cockpit. The couple did restore the plane and ultimately donated it to the museum. They also flew it across the country to deliver it!
This is the kind of nonfiction I want to be curating in my older/harder nonfiction collection. It’s engaging without being too long. It has a mix of pictures and text, but isn’t so busy it’s hard to read and follow the narrative. I would say this book would work for kids in fourth grade on up into middle school (and maybe even high school for lower readers or students that are particularly interested in the topic). It’s certainly timely and important. Arguably it’s interesting in that you don’t see the creation of these spaces discussed or focused on in children’s nonfiction much. History buffs may take particular delight in this one.
By Elizabeth Wroten
On 21, Aug 2016 | In Review | By Elizabeth Wroten
Ash Mistry Series by Sarwat Chadda
Book 1: Ash Mistry and the Savage Fortress
Book 2: Ash Mistry and the City of Death
Book 3: Ash Mistry and the World of Darkness
From Goodreads: Ash Mistry hates India. Which is a problem since his uncle has brought him and his annoying younger sister Lucky there to take up a dream job with the mysterious Lord Savage. But Ash immediately suspects something is very wrong with the eccentric millionaire. Soon, Ash finds himself in a desperate battle to stop Savage’s masterplan – the opening of the Iron Gates that have kept Ravana, the demon king, at bay for four millennia…
I really, really enjoyed this series. Growing up, like many kids, I was totally into Greek and Roman mythology. Then I found Ancient Egyptian mythology and culture. Back then there were was very little YA and MG literature that I could get my hands on that featured good Ancient Egyptian content (I eventually started reading the Elizabeth Peters mysteries, which had a lot of romance and stuff that I wasn’t all that interested in) or even really Greek and Roman mythology and history. Now that Rick Riordan has written all those Percy Jackson books there’s plenty of Greek content out there. There are also the Kane Chronicles. And now it looks like Norse mythology is catching on. I think it’s great that there is a lot out there for kids who are interested in mythology and ancient cultures, but it’s really mostly focused on the Greeks and Romans. Which is why I think series like this one are awesome.
Ash Mistry is based around Indian mythology and it’s so rich. It helps that Chadda appears to know his Indian mythology, ideology, and history inside and out. It’s so seamlessly woven into the story of Ash. From Ash’s rebirths to the Carnival of the Flesh that appears in the third book. It all plays such an important role in the story. Chadda never panders to the Western audience by having asides that explain various aspects of the mythology, but there is explaining. You don’t need to know Indian mythology to understand and follow the story.
I did find the third book moved more slowly for me. I don’t know why. It was by far the most violent in action and depiction. Otherwise the books move along at a nice clip. They are full of action, but aren’t just plot driven. Ash grows and changes through the series into a wiser character. There’s a tiny bit of romance. Ash has a crush on a girl and there is something brewing between him and Parvati, but it’s never really the focus of the story and there’s only one kiss at the very end of the series. Ash is also incredibly devoted to his family which I thought deviated from the standard YA hero story and was a nice touch.
The series is definitely for older audiences. I had originally picked up the first book to see if it was something I could get for our fifth grade students. I don’t think it’s the best fit. There is a lot of violence. A lot. And it’s a lot more graphically depicted than, say, the Riordan books. That makes me think these books are really more YA than middle grade. Darn. They’re so good. I’m mulling it all over. Since we don’t have anything else that features Indian mythology I would consider having the first book on our shelves. That one is probably the least violent or graphic. I highly recommend this for libraries with middle school and high school age patrons. It’s so engrossing and mythology is certainly a popular subject.
There is one big, big problem with the series, though. Only the first two books have been released here in the U.S. I got the first two books from my public library and had to buy the third from a British dealer on Amazon. Why would the publisher do that? It was incredibly frustrating.
By Elizabeth Wroten
On 20, Aug 2016 | In Review | By Elizabeth Wroten
From Goodreads: When her fifth-grade teacher hints that a series of lessons about home and community will culminate with one big answer about two tall towers once visible outside their classroom window, Deja can’t help but feel confused. She sets off on a journey of discovery, with new friends Ben and Sabeen by her side. But just as she gets closer to answering big questions about who she is, what America means, and how communities can grow (and heal), she uncovers new questions, too. Like, why does Pop get so angry when she brings up anything about the towers?
I’m pretty sure I’ve read all of Jewel Parker Rhodes middle grade novels at this point and I have loved them all. This was no exception.
I think it would be a mistake to sell this book to kids as only a September 11th book. It needs to be about the friendships and family themes in the book. Most kids in our elementary schools are vaguely aware of 9/11. It’s important and upsetting to those of us who were alive then, but not so much to our young students. I know they can grasp the importance and we’re certainly seeing the ripples of it still with our conflicts in the Middle East, but that’s Over There and way more abstract for these kids. Deja, the main character, struggles with understanding that and it makes the book all more relevant to kids today.
So, Towers Falling is not really a story about 9/11. It’s more a story about how families cope with trauma (or don’t). It’s about how parents and adults give their baggage to children and have expectations of them they can never meet because they don’t know the rules to the game their playing. It’s a story about a family that has fallen on hard times, like so many over the past years, and how it disrupts the children’s ability to function. It all coincides nicely with the anniversary of the attacks on 9/11 and provides a way to talk about those as well, but I think in the years to come the book will have staying power because it is about teaching children to look past the surface of a person.
Deja is deep and she’s hurting and things are hard. She lashes out, she says inconsiderate things, she behaves poorly, not because she wants to or doesn’t know any better, but because there is a lot going on in her life and in her past and those things make it impossible for her not to. She’s been taught to be tough and mean and unfeeling and hurt others before getting hurt herself, but is being held to a standard that expects her to not do those things. Towers Falling is a story about how the past ripples out into the present. Again that happens to be the 9/11 attacks in this story, but it could just as easily be any other event- a shooting, an illness, a car accident. It’s also about how Deja grows through good friends, a conducive environment and learning about the root of many of her family’s troubles (which happen to be the September 11th attacks). It’s about how Deja becomes more aware of what is going on around her.
I found the book incredibly powerful. I realized I have never actually watched the footage of the attacks. I’ve seen the clips of the second plane and I remember a few photographs from the newspaper and that’s it. But I remember that day very vividly. I think it’s hard for me to say with certainly this book is an important part of collection development because I have an emotional reaction to the 9/11 attacks. I believe it’s important for kids to know about them and I think this is a good story to learn about them through. I also think the story itself is only partly about 9/11 and has a lot of value and merit on its own. Recent history is important and I can’t figure out why we’re happy to talk about things like slavery and WWII, but deem 9/11 too hard for kids to learn about. This is a good book, but I know there will be resistance to putting it on shelves in elementary and middle school libraries. I think it should be on all library shelves and do think we need to consider putting this out there.
By Elizabeth Wroten
On 16, Aug 2016 | In Review | By Elizabeth Wroten
From Goodreads: In moving verse, Children’s Poet Laureate J. Patrick Lewis gives new voice to seventeen heroes of civil rights. Exquisitely illustrated by five extraordinary artists, this commanding collection of poems invites the reader to hear in each verse the thunder that lies in every voice, no matter how small. Featuring civil rights luminaries Coretta Scott King, Harvey Milk, Mohandas Gandhi, Nelson Mandela, Sylvia Mendez, Aung San Suu Kyi, Mamie Carthan Till, Helen Zia, Josh Gibson, Dennis James Banks, Mitsuye Endo, Ellison Onizuka, Jackie Robinson, Muhammad Yunus, James Chaney, Andrew Goodman, and Michael Schwerner.
This is definitely for older audiences. The poems are unflinching in what they look at- KKK murders (Freedom Summer), racially motivated murders (Emmett Till), deep seated hatred (Harvey Milk, Sylvia Mendez, Japanese Internment)- and the back matter includes more information.
I am reminded a bit of Rad American Women by this book, I think simply because it’s a book of activists and probably by the broad range of people examined. But the format it completely different. These are poems introducing children to people who have fought for civil rights all across the globe and for different groups of disadvantaged people. I didn’t personally click with a lot of them, but that’s just me. I think they will give kids exposure to a lot people they are probably not familiar with, but should have some awareness of- Harvey Milk and Aung San Suu Kyi to name two.
I don’t know why on my first pass through I didn’t realize that there were a number of illustrators including John Parra who I just saw in Marvelous Cornelius and who has a distinctive style. I really loved all the pictures here and I think they could serve as a good entree for reluctant poetry/nonfiction readers.
When Thunder Comes would be so worth putting on our shelves and I will add it to the collection development list, but it’s going to be a damn hard sell. It’s for older readers; it’s a picture book with picture book trim size; and it’s poetry. Those are three types of literature that do not leave our shelves all rolled into one. But I also very strongly believe that marketability can be created. I know there are teachers that would use this and with good readers advisory kids will pick it up. If you talk to your children about civil right struggles or if your school does anything with civil rights I suggest looking into adding this to your library purely for the range of people introduced here.
By Elizabeth Wroten
On 28, Jul 2016 | In Review | By Elizabeth Wroten
From Goodreads: From a young age, Michael was both fascinated by and afraid of his grandfather. Grandpa’s ship was torpedoed during the Second World War, leaving him with terrible burns. Every time he came to stay, Michael was warned by his mother that he must not stare, he must not make too much noise, he must not ask Grandpa any questions about his past. As he grows older, Michael stays with his grandfather during the summer holidays, and as he finally learns the story behind Grandpa’s injuries, he gets to know the real man behind the solemn figure from his childhood. Michael can see beyond the burns, and this gives him the power to begin healing some of the scars that have divided his family for so long.
This was such an interesting book. It was a very simple, but very deep. It looked at World War II from the perspective of its lasting impact on veteran’s families. Michael’s grandfather was badly burned while fighting in the Pacific and both his mental trauma, particularly how it made him feel about himself, and his physical change, make his life a struggle. People are afraid of him, his wife leaves him, and he is frequently angry. His daughter was afraid of him and at first his grandson was too.
But here is where the story really takes off. Michael, in visiting his grandfather, begins to look past the scars and taciturn attitude. He realizes they share a lot in common including a love of being together quietly. The grandfather becomes a friend to Michael and finds some redemption for the botched childhood of his daughter and his failed marriage. He begins to share his wounds and his regrets with Michael and his mother. I wouldn’t say life becomes grand and rosy, but the two find a deep connection and love that is the star of the story.
World War II books seem popular at any level, but I would say it’s best suited to middle and high school. Even adults could enjoy it (I certainly did). There isn’t anything overly gruesome in the story, it’s just deeper than I think most young readers are going to read and I don’t think they’ll find it particularly interesting.
By Elizabeth Wroten
On 26, Jul 2016 | In Review | By Elizabeth Wroten
The Monkey King’s Daughter written by T. A. DeBonis
From Goodreads: The Monkey King’s Daughter isn’t about Sun Wukong, the Monkey King – it’s about his daughter, Meilin. Only, Meilin doesn’t know she’s the Monkey King’s daughter. In fact, she doesn’t know she’s half-monkey at all. As far as Meilin knows, she’s an ordinary 14 year-old high school freshman from Midland Hills, California, facing all the problems that bright young girls face at that age- flakey girlfriends, zits, too much homework, bad hair, obnoxious boys… But all of that changes when her ancient past catches up with her. (And she thought high school was gonna be easy…)
Today I have another great self published series. I said in another recent review that I am getting rather tired of Greek mythology. Because of Percy Jackson it seems to be everywhere. As a kid I went through a phase where I was into Greek mythology and I still enjoy it, but there is a lot of really interesting mythology out there (I was always way more fascinated with Egyptian mythology) and I wish I had been able to discover it as a young reader. The Monkey King’s Daughter is based in Chinese stories of the Monkey King. If you’ve read Gene Luen Yang’s American Born Chinese you will be familiar with the myth this book draws on. Plenty of it is explained in the course of the story and will make sense to kids unfamiliar with it.
Despite Melin’s age and the fact that she’s in high school, the book is totally appropriate for upper elementary. It’s perfect for kids who like to age up. I would also highly recommend it for lower readers in middle school. The story is exciting enough, but the reading level isn’t particularly difficult.
The pacing was off in a few places. Most of the time the story plugged along, but there were a couple places where things happened a little quickly, felt rushed, and were glossed over. I think this has less to do with it being self published and more to do with the reading level it’s intended for. I don’t know exactly where it falls, but it’s a little more difficult than beginning chapter books, but not nearly as difficult as Percy Jackson (or as long).
My only other complaint is that when Meilin meets her father for the first time she isn’t awkward or angry or anything. She runs into his arms and they spend an evening star gazing together, enjoying each other’s company. I just had a hard time believing that a kid who hasn’t met her father would feel overwhelming love for a man who was never around. Will most kids care about this? The only kids who might are ones who have not met their fathers or who have experienced meeting them later in life. Does that make the book unworthy? I don’t think so. I doubt most kids who will tear through the adventure in this will mind that it isn’t totally authentic. Just be aware it may fall a little flat for some readers.
I really hope this story leads kids to the original Monkey King stories from the different parts of Asia. They’re very exciting and funny. Meilin takes some things in stride, but she was a very realistic kid. She didn’t suddenly become good at everything when she discovered her heritage and fell into her adventure. This is the first in a series and I’ll be buying the rest (I bought the first to try it out). It’s well worth having on our library shelves, particularly if you have kids who love mythology (we all have Riordan fans) and kids who like action.
By Elizabeth Wroten
On 25, Jul 2016 | In Review | By Elizabeth Wroten
From Goodreads: Fefa struggles with words. She has word blindness, or dyslexia, and the doctor says she will never read or write. Every time she tries, the letters jumble and spill off the page, leaping and hopping away like bullfrogs. How will she ever understand them? But her mother has an idea. She gives Fefa a blank book filled with clean white pages. “Think of it as a garden,” she says. Soon Fefa starts to sprinkle words across the pages of her wild book. She lets her words sprout like seedlings, shaky at first, then growing stronger and surer with each new day. And when her family is threatened, it is what Fefa has learned from her wild book that saves them.
Margartia Engle writes the most beautiful novels in verse. In The Wild Book she draws on her family history to tell the story of Fefa who is dyslexic. I think this alone makes the book worth having on the shelf for the one or two kids who struggle with dyslexia and need to see themselves and their struggles in the pages of a book. Fefa is bound and determined, but constantly discouraged by her lack of progress, and I think she could be a very relatable character. I can’t speak to how accurately the disability is presented, but Engle does appear to have drawn directly out of family stories about her so I suspect she is pretty close to accurate in depicting her great aunt.
The story beyond Fefa is interesting, but fairly quiet. Fefa is growing up in a small village with a large family. They are squabbles and mean sisters. One brother ends up injured in a pretty severe accident and becomes Fefa’s teacher. He isn’t particularly sensitive to Fefa’s difficulty reading, but he pushes her and eventually she comes to appreciate how he is helping her. There is some sense of danger in the book precipitated by historical events that might pique kids’ interest, but the tension is fairly low in the book itself. Kids who like quite books will enjoy this story.
I don’t see the kids picking these up off the shelf on their own too often (I like the cover, but I’m not sure it appeals to kids), but to me that means we need to do a better job of talking them up and drawing attention to them. I’ve said many times, novels in verse (and graphic novels) are good alternative formats that work well for reluctant readers. This one even more so because some of those reluctant readers may be struggling with a learning disability that makes reading difficult.
I think I put this on the summer reading list for fourth grade, but I can’t quite remember. I’m hoping some kids read it and it hooks them into the format and the author. We actually have two copies of the book in the library. I recommend it if you have kids who like this format and if you have reluctant readers you are looking at hooking. I also suggest it if you have students that like slice of life, realistic fiction. It’s fairly inexpensive so I think it would be well worth giving a try if for no other reason than to have more representation of learning disability on the shelves. If you hand sell it, it will get read.