summer reading 2014
By Elizabeth Wroten
On 29, Aug 2014 | In Review | By Elizabeth Wroten
I loved this trilogy. I often like first books, but won’t continue with a series simply because there is always a long list of books to work through. But the Grisha Trilogy warranted a full read. Warning, I may spoil certain parts of the books because I am reviewing the three as a whole.
For me I was drawn to the mythology, culture, and world building. The story is clearly set in a country based on Russia and her folklore. I know very little about Russia as it doesn’t tend to be a country we study much in the US, except as the enemy. And that hardly delves into their rich culture. As much as we celebrate diversity as something involving non-white people, I think there are plenty of white people who we know little about and are, in actuality, very different from us. Russia has some incredible fairytales and myths and how their environment shaped their culture and society is fascinating. The Grisha trilogy doesn’t detail any Russian history, but it does draw on the country (from the Czarist days) and you can easily see the parallels. Themes and characters from the folklore is woven very deftly into this world.
I was also drawn to the romance in the book. I’m not normally a romance fan per se, but the romance between Mal and Alina really added to the tension of the book. You really want to see them together, but you also know it can’t help but end poorly. They are also friends before they are lovers which is a dynamic I like to see because I think friendship is an incredibly important aspect of romance and romantic relationships. I will warn anyone purchasing this book for a collection, there is no sex in the first two books although it’s hinted at and there are some steamy kissing scenes. The third book, however, has an incredible first-time sex scene for Alina. It’s very beautiful and romantic, but it is sex and although it’s not graphic it doesn’t exactly happen off page either. (Side note, when Mal tells Alina he just wants to push her against the wall and kiss her so much she forgets that other men exist made even practical, unromantic me swoon.)
For the intended audience, I think teens will certainly like the romance and may be curious about the books’ cultural connections to Russia. But I think Alina will be the real draw. She’s a complicated character. Life has not been easy for her and denying the magic in her has cost her a lot in terms of her health, mental and physical. Besides Mal, she has never had a real friend and things are complicated with Mal. When she is taken under the Darkling’s wing it’s easy to see why she is drawn to him. He feeds right into her vulnerabilities. Thankfully she figures this out. Her lack of confidence in all areas is endearing, instead of irritating. Knowing her history it’s easy to see where it comes from and it makes her very human and relatable. She’s cantankerous, but under her prickly exterior she is compassionate and generous. Despite the emotional baggage she has, she’s a strong young woman interested in helping her people.
One last thought, Leigh Bardugo can write. She weaves an amazing story into a fascinating world and works the language of Ravka into conversation and description. Nothing feels stilted or awkward.
By Elizabeth Wroten
On 27, Aug 2014 | In Review | By Elizabeth Wroten
From GoodReads: Twelve-year-old September lives in Omaha, and used to have an ordinary life, until her father went to war and her mother went to work. One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can retrieve a talisman the Marquess wants from the enchanted woods, and if she doesn’t . . . then the Marquess will make life impossible for the inhabitants of Fairyland. September is already making new friends, including a book-loving Wyvern and a mysterious boy named Saturday.
I need to start by saying: OMG, this is the world’s longest title. It is also a little pretentious and very indicative of how the book goes. Which is whimsically, with a good vocabulary and just a little pretentiousness. In the best possible way.
It took me awhile to get into this one. At least the first 50 pages, if not more. The language and syntax initially made the story feel like it was trying very hard. I can’t say if that stopped eventually or I just got into the rhythm of the book, but I was sucked in to the point of wanting to finish. The book does have an excellent use of language going for it, which is partially to blame for the slow start. Is widdershins a word? Yes (it means counterclockwise, but sounds so much better), but it feels a bit arcane like some of the other vocabulary and syntax. To be clear the slow start and old fashioned vibe are not a count against the book, it just took me longer to move through it.
Fortunately both the characters and plot make you want to stay with the book. September is just a regular girl with a lot of doubt about why she ended up on this adventure. She meets a lot of characters like a trio of witches who explain what witches actually do (see the future), a cantankerous gnome, the green wind who is very fond of September, a leopard, a Wyvern whose father is a library and so he calls himself a Wyverary. The cast of characters alone is quite creative and most are good hearted or interesting. September decides to help one of the witches retrieve her spoon from the Marquess, the new ruler of Fairyland who rules with an iron fist, and this sets off a chain of events that pull September deeper and deeper into the troubles of Fairyland. She also becomes more attached to the friends she has made and more determined to help them.
The comparisons I’ve seen to Alice’s Adventures in Wonderland are apt, but at times, especially toward the beginning, it felt like the book was trying to be Alice which just made it feel contrived. On the other hand, it clearly wasn’t Alice. For starters September had a lot more presence of mind and was less of a ditz than Alice. September also makes friends and does things out of the goodness of her heart. To me, the adventure and language brought the book My Father’s Dragon to mind.
The difference between these, besides length and complexity, was how dark Circumnavigated was. September’s adventure is not all sunshine, rainbows, and friends. Things end well enough, but it is not without some unhappy revelations and discoveries. Things go awry in some awful ways and Valente doesn’t shy away from sharing them and how September reacts to them. September also becomes a bit contemplative about her situation at home with a mother who is constantly at work and a father who has disappeared to the war, a father who volunteered to disappear.
The book may appeal to upper elementary students, but it would take a strong reader to get through it or a highly motivated/interested one. The reading level was surprisingly low, but the vocabulary and sentence structure made it feel more difficult. (Or maybe that was just me?) I would suggest it as a good read aloud, especially for parents looking for a book that would appeal to them too. Otherwise this one is good for kids who like adventure, quirk, and whimsy. Readers who like twists on fairy tales may also find something to enjoy in the mythical creatures, witches, and September’s quest.
There was a swoony bit right at the end. September has traveled with Saturday through much of her adventure. As a marid he experiences time differently, all at once and not chronologically. He explains that marids know to get married when they start seeing their children around and they find their spouse based on who their children look like. Just before September is whisked back home, Saturday asks if she saw their daughter. I think the anticipation of them falling in love in future books (there are two more in the series) is really sweet.
By Elizabeth Wroten
On 26, Aug 2014 | In Review | By Elizabeth Wroten
From GoodReads: When their mother catches their father with another woman, twelve year-old Blessing and her fourteen-year-old brother, Ezikiel, are forced to leave their comfortable home in Lagos for a village in the Niger Delta, to live with their mother’s family. Without running water or electricity, Warri is at first a nightmare for Blessing. Her mother is gone all day and works suspiciously late into the night to pay the children’s school fees. Her brother, once a promising student, seems to be falling increasingly under the influence of the local group of violent teenage boys calling themselves Freedom Fighters. Her grandfather, a kind if misguided man, is trying on Islam as his new religion of choice, and is even considering the possibility of bringing in a second wife.
But Blessing’s grandmother, wise and practical, soon becomes a beloved mentor, teaching Blessing the ways of the midwife in rural Nigeria. Blessing is exposed to the horrors of genital mutilation and the devastation wrought on the environment by British and American oil companies. As Warri comes to feel like home, Blessing becomes increasingly aware of the threats to its safety, both from its unshakable but dangerous traditions and the relentless carelessness of the modern world. Tiny Sunbirds, Far Away is the witty and beautifully written story of one family’s attempt to survive a new life they could never have imagined, struggling to find a deeper sense of identity along the way.
I absolutely loved this book and then I realized the author was white. And now I’m not sure if that changes how I view the book. Which isn’t to say an author has to limit themselves to their own gender, culture, experience, etc. but their research needs to be solid. If the relationships and themes are authentic and transcend anything superficial then the author has succeeded.
This was such an easy book to fall into. The setting was finely drawn.The life before and after the father’s affair is discovered. The living situation at the grandfather’s compound. The political situation in the delta region. The characters were likable and had depth. The slightly kooky grandfather. The grandmother who had learned to work within the traditional system to earn freedoms. The new wife who was loud and unabashed.
But Tiny Sunbirds is really the story of Blessing’s ascendency. She begins as rather shy and retiring, passive even. Used to a life with enough to eat, running water, a flush toilet, private schools, and air conditioning. The move to Warri breaks her away from this world and becomes an eye opening experience. Girls are not highly valued. Ultimately, when money runs thin, Blessing is pulled out of school, where she wasn’t especially welcome anyway. Instead of wilting away, though, Blessing connects with her grandmother who begins to teach her to be a midwife. Through this Blessing finds a purpose and a future. She comes to grips with the physical violence of her old home. Slowly she comes out of her shell and begins to see and understand the world around her, including some of the choices her mother makes.
In counterpoint to this is her brother Ezikiel. It is painful to watch Ezikiel flounder. He has already lost his father, a poor role model to begin with, at a critical time, so he probably suffers the most as his mother slips aways. His grandfather means well, but does not take Ezikiel under his wing the way the grandmother does Blessing. Ezikiel has a severe allergy to groundnuts which makes eating nearly impossible. There are few alternatives to the groundnut oil used to fry food that cannot be kept refrigerated and no one seems to understand the severity of the allergy. When money runs short Ezikiel’s medication supply nearly runs out, leaving him in constant danger. As a boy, a lot of pressure is placed on him to do well in school and to learn to lead the family. Ezikiel tries to rise the occasion and although we don’t hear his internal struggles, it is clear he places a lot of stress on himself. Add to this Blessing beginning medical training when that is what Ezikiel wants and her growth when his seems stunted. It’s a toxic recipe. Because he is older he may have a better understanding of what went on in their house before their mother left their father and may have a better grasp on how their mother may be earning money to pay for his medicine and school. When he fails his school exams that would lead to medical school his downward spiral really begins.
I really felt for their mother. She is between a rock and hard place. She has endured physical abuse at the hands of a man she broke with her family over. When she discovers his affair, she returns home with her tail between her legs and her two children in tow. The family desperately needs money, so she goes to work. While she deals with the emotional fall out of her marriage, most of which we can only assume she is dealing with, she is forced to work more and more. The ones who suffer most are her children, whom she has little time for. She sees the money she is providing, that puts food on the table and pays school fees, as a substitute for her presence and attention; poor substitute, but a necessary one. Of course her children want more, but I doubt she could have given more under the circumstances. It is never entirely clear whether some of the money she earns comes from prostitution, but she clearly struggles with the option. She also watches her daughter grow away from her and need her less, which must have been hard. She watches as Blessing connects more with the mother she never fully understood. Blessing assumes her mother sees her father in her and dislikes that reminder, but I think what really troubles her mother is seeing her grandmother in her. Someone she did not connect or agree with for most of her life.
I also like the second wife, Celestine. The grandfather decides, at some point, that he wants a son and needs to take a younger, second wife. When Celestine arrives she is obnoxious. No one can stand her and yet she persists. She is poorly educated and because she is older than Blessing and married to a much older man you forget that she can’t be more than 18 or 19, a child herself. As the story progresses, however, she really comes into her own. She makes plenty of foolish mistakes along the way, some that are funny, some that are heartbreaking, some that are cringe-inducing. But she learns and she becomes a part of the family, accepted and accepting.
This is technically an adult book and it deals with some very mature themes, like female genital mutilation and physical abuse, that I think younger audiences need someone to walk them through, but Blessing is a charming character. This would be a good suggestion for more mature readers who like serious books, readers interested in Nigeria, or as an English class option. Although Blessing finds herself in a different situation from most Americans, I think the theme of finding yourself in very different circumstances and with a sink-or-swim dilemma is universal. Did Watson succeed in writing a book that was true to the culture of Nigeria, I don’t know. In terms of characters and themes I think she did, though.
By Elizabeth Wroten
On 20, Aug 2014 | In Review | By Elizabeth Wroten
From GoodReads: Summer knows that kouun means “good luck” in Japanese, and this year her family has none of it. Just when she thinks nothing else can possibly go wrong, an emergency whisks her parents away to Japan—right before harvest season. Summer and her little brother, Jaz, are left in the care of their grandparents, who come out of retirement in order to harvest wheat and help pay the bills.
The thing about Obaachan and Jiichan is that they are old-fashioned and demanding, and between helping Obaachan cook for the workers, covering for her when her back pain worsens, and worrying about her lonely little brother, Summer just barely has time to notice the attentions of their boss’s cute son. But notice she does, and what begins as a welcome distraction from the hard work soon turns into a mess of its own.
Having thoroughly disappointed her grandmother, Summer figures the bad luck must be finished—but then it gets worse. And when that happens, Summer has to figure out how to change it herself, even if it means further displeasing Obaachan. Because it might be the only way to save her family.
The Thing About Luck had a lot of interesting pieces to the story, but what really shone for me was the relationships between Summer and her grandparents. Summer always feels like she is disappointing her grandmother and isn’t very sure her grandmother loves her. Although in the past year when she had malaria she knows her grandmother wouldn’t leave her side at the hospital and she overhears her grandmother crying about Summer growing up too fast. She just can’t seem to get that caring grandmother to line up with the ornery, more distant grandmother she seems to disappoint everyday. I think a lot kids can really relate to trying very hard to be good and do the right thing, but still feeling as though they have failed a parent or grandparent. Summer is, however, close to her grandfather who is much more patient and gentle. She feels close with him and secure in his love. The juxtaposition of these two relationships really begins teaching Summer how love can mean different things and look very different without being diminished.
Summer really learns a lot about love over the few weeks the book spans. She assesses her relationship with her brother Jaz, who at times provokes and irritates because he is so different (he’s probably Asperger’s), but realizes she loves him all the same. She experiences the heartbreak of rejection when her crush decides he would rather spend time with the daughter of one of the farmers instead of her. But she also sees that rejection can be a lot worse when she talks with one of the other harvesters whose fiancee left him. Summer is a reflective kid standing on the cusp of young adulthood, knowing she still feels like a child but having a growing awareness of the world and how it works and taking a more active role in it.
On another note, Summer and her family are Japanese and Japanese-American, I never felt like that was “an issue” or even really a focus. I suppose it may have determined what kind of work the grandparents could get, but Summer mentions plenty of other types of people who take jobs as harvesters. And being an immigrant was not a common thread. I really appreciated that the diversity felt authentic and organic. It didn’t feel like a check box, nor was it discussed and dissected at great length. There is a time and place and book for that, but I don’t think that was the point of Summer’s story.
I would give this to kids who liked grandparent-grandchild relationship in The Evolution of Calpurnia Tate. It would also be good for kids who like family stories where the family ties are strong, but not without strife. This is certainly middle grade, but could skew a bit younger (4th or 5th grade) depending on interest.
By Elizabeth Wroten
On 19, Aug 2014 | In Review | By Elizabeth Wroten
A disparate selection of titles I read this summer. Again, for the sake of brevity I have linked to their GoodReads page where you can read the synopsis.
Zebra Crossing / Meg Vandermerwe: I picked this one up because it had three diversity points- Zimbabwean emigrants, South African setting, and an albino. The story didn’t sound exactly upbeat, but it sounded interesting and appealing. Turns out it was downright depressing. I really liked the main character, Chipo. She had not had an easy life, but she was a friendly girl with capable of making friends and feeling deeply. She could have stood to be more assertive, but I think she always intended to be, but wasn’t given the chance. I liked the book, but it would take a special reader to really click with this one because it is so sad. (YA)
School for Good and Evil / Soman Chainani: This was a rare DNF (did not finish) for me. The premise of the book was actually very clever and I can see a lot of fairytale elements which is what attracted me to it in the first place. I just had a really hard time connecting with the characters. More often than not I found myself frustrated by Agatha’s willful blindness to the fact that Sophie is a terrible friend and Sophie’s blindness to what a good friend Agatha could be. The message that looks can be deceiving also felt heavy handed to me. Plus I got at least 100 pages in and not much had happened to really further the plot enough for my tastes. However! I think had I made it to the end, things would have worked themselves out. This felt a lot like a case of me clearly not being the target audience. I would not hesitate to recommend this book to kids who like friendship stories and fairytales. Especially fractured fairy tales. There are even a few Harry Potter elements mixed in here. (MG & younger YA)
Claire of the Sea Light / Edwidge Danticat: This is technically an adult novel and I didn’t pick it up because it was touted as a crossover, but any teen who likes literary novels and diversity could easily slip into this novel. It was not especially long either, which is often a plus with teen readers who are pressed for time. I cannot say how much I loved this novel. Danticat’s writing style is so lyrical and lovely, but not dense at all. The stories in this book, that follow a variety of people from the town Ville Rose around, felt like peeking into secret parts of people’s lives. Like when you see people driving and wonder where they are going and who they are. It was a sad novel, but not without hope. It also embraced the idea that things in life can come full circle. (YA)
The Martian / Andy Weir: This book was incredible. It was so good I made my husband read it. It was so good he, who reads a book every couple of years, finished it in two days. It was that good. It was definitely a plot driven novel, but there was enough character development to make it interesting for the people in the book. While it’s a survival story, Mark Watney is a funny guy. His quips and general attitude toward his situation make for good reading. And he is so clever in solving problems that seem insurmountable, like surviving on Mars. Interestingly, everything he talks about is technically possible and all of the equipment and technology is currently available even if it can’t quite be used to get to Mars just yet, so there is a realistic bent to a story that seems impossible. Another adult novel that I wouldn’t hesitate to give to a YA audience. I would even give it to a middle schooler who is nuts about space travel, just be aware that there is a mention of sex (although no actual sex) and several swear words. (YA)
By Elizabeth Wroten
On 15, Aug 2014 | In Review | By Elizabeth Wroten
From GoodReads: Twenty-two-year-old Charlie Wong grew up in New York’s Chinatown, the older daughter of a Beijing ballerina and a noodle maker. Though an ABC (America-born Chinese), Charlie’s entire world has been limited to this small area. Now grown, she lives in the same tiny apartment with her widower father and her eleven-year-old sister, and works—miserably—as a dishwasher.
But when she lands a job as a receptionist at a ballroom dance studio, Charlie gains access to a world she hardly knew existed, and everything she once took to be certain turns upside down. Gradually, at the dance studio, awkward Charlie’s natural talents begin to emerge. With them, her perspective, expectations, and sense of self are transformed—something she must take great pains to hide from her father and his suspicion of all things Western. As Charlie blossoms, though, her sister becomes chronically ill. As Pa insists on treating his ailing child exclusively with Eastern practices to no avail, Charlie is forced to try to reconcile her two selves and her two worlds—Eastern and Western, old world and new—to rescue her little sister without sacrificing her newfound confidence and identity.
I think this one is technically an adult novel, although I didn’t realize that when I got it. I would call it New Adult with plenty of appeal for an older YA audience. I’m not sure why I decided to read it (must have gotten a good review from someone) since I tend not to be interested in adult novels, but I’m glad I did.
Hooray! This one was not about a miserable middle aged woman having a tepid affair. In fact it ends well and despite adversity and a lack of confidence, Charlie is a likable and relatable character who you’re happy to see things work out for. Maybe I shouldn’t be so hard on adult fiction after all. 😉
Mambo in Chinatown tackles a TON of issues, but Kwok keeps it from turning into an after school special. The struggles Charlie faces make the characters and story feel real. Actually, it’s the variety of issues and problems that could broaden the audience this book would appeal to.
Not only is dance a large part of the story but it’s shown as a path to bettering her chances in life. Charlie never considered going to college. She has some undiagnosed learning difficulties and never really did well in school. It was refreshing to read a story about someone choosing a different path that is treated as equally valid (even if it’s difficult).
Tension between traditional ways (and generations) and the younger generation is also a major theme. The immigrant experience plays into this, as well as ethnicity. Charlie has rarely been out of Chinatown and it’s a big deal when she begins to work outside. Charlie’s sister also suffers an unexplained health crisis (it is explained toward the end). Their uncle is an eastern medicine practitioner and their father tends to prefer this type of treatment and defers to his brother. Charlie is skeptical of it, especially when her sister’s health continues to spiral downward.
I was especially taken with the relationship between Charlie and her sister Lisa. They are eleven years apart and their mother died shortly after Lisa was born. With the added stress of being very poor, Charlie has had to grow up quickly and is more of a mother figure to Lisa than a sister. Charlie is wonderfully encouraging of Lisa and, because she is young and less tied to tradition, she makes a good advocate for her with their father, uncle, and larger community.
There’s been a lot of talk about NA being YA with sex and I even heard an author call Fifty Shades of Gray NA. I suppose it is in a way, but I think the idea that it has so much sex doesn’t make it NA. Sex is certainly a part of many (most?) people’s lives when they’re new adults but I think it’s rather simplistic to think that it’s the only thing that’s changed between young adulthood and new adulthood. Or the only part that new adults want to read about. Mambo in Chinatown has sex in it. One sex scene that really happens off page. It’s certainly not graphic. In fact I’ve read steamier sex scenes in YA novels. But I think the way Kwok handles this relationship in the book is how sex in a book appeals to new adults. If you want lots of graphic sex, read erotica. Read erotic NA. Here the sex is simply a part of the story, a minor but good part.
My one and only complaint about the book was that some of the metaphor gets a bit heavy-handed and obvious with big flashing red arrows pointing at them, but they were few and far between. Nor did they detract from the rest of the writing which was good.
Give this book to kids who are interested in dance, dance competition, diverse characters, tensions between tradition and modernity, and mother-daughter relationships.
By Elizabeth Wroten
On 13, Aug 2014 | In Review | By Elizabeth Wroten
From GoodReads: Twelve-year-old John Fischer Jr., or “Little John” as he’s always been known, is spending his summer helping his father with his tree removal business, clearing brush for Mr. King, the wealthy owner of a chain of Texas dollar stores, when he hears a beautiful song that transfixes him. He follows the melody and finds, not a bird, but a young girl sitting in the branches of a tall sycamore tree.
There’s something magical about this girl, Gayle, especially her soaring singing voice, and Little John’s friendship with Gayle quickly becomes the one bright spot in his life, for his home is dominated by sorrow over his sister’s death and his parents’ ever-tightening financial difficulties.
But then Mr. King draws Little John into an impossible choice—forced to choose between his family’s survival and a betrayal of Gayle that puts her future in jeopardy.
Inspired by a Hans Christian Andersen story, Nightingale’s Nest is an unforgettable novel about a boy with the weight of the world on his shoulders and a girl with the gift of healing in her voice.
I’m not really sure what I expected from this one. I guess I thought it would be more fantasy than it was. It ended up being magical realism, which really isn’t my thing. That being said, it was beautifully written and very moving which is why I finished reading it despite knowing early on that I wouldn’t personally click with it.
On the surface this is a story coming of age story wherein Little John learns to stand up for what is right and to deal with his grief over the death of his sister. Nightingale’s Nest runs deceptively deep though. It tackles poverty, child abuse, death, grief, and loss, the idea that money can’t buy happiness, and creepy old men.
This could easily be my personal bias talking, but Nightingale’s Nest felt more like a children’s book written for adults. It would certainly be the right book for a particular kid. If you have one of those kids in your library, you’ll know just by reading the synopsis who to give it to. I would note that the description calls it “inspired by a Hans Christian Andersen story” and that would be about right. I’m not super familiar with the particular story, but it didn’t read much like a fairy tale, not even one set in a modern time. Even though the story ends on a hopeful note, it’s still awfully depressing and Little John can certainly be a sad sack. It skews young in terms of the vocabulary and complexity of the writing (not in how well it is written, but in a technical, mechanical sense!) but the themes and ideas and tacit messages of the book skew much older. The writing also had a dreamy, often almost unreal quality, that I tend to find magical realism books to have. I could see that being a challenge for a younger audience.
A number of the characters in the book are terrible people, but Loftin was really good at fleshing them out, making them flawed with motivations to be the people they are instead of caricatures. On the flip side, Little John was such a good guy. He got a lot of guff from his parents and other adults around and he beat himself up over his sister’s death, but none of it is his fault. It was interesting to see him come into his own and still make mistakes as the story unfolded.
I could see fans of Kate DiCamillo’s The Magician’s Elephant and Ophelia and the Marvelous Boy enjoying this one if they’re ready for something a little more complex and little darker.
By Elizabeth Wroten
On 12, Aug 2014 | In Review | By Elizabeth Wroten
This summer I read a number of graphic novels. I thought I would round my reviews of them up into one post. Since there are quite a few I’ve just linked their title to their GoodReads page if you would like to hop over and read the descriptions. As a general comment, all these graphic novels had excellent, if very different, art.
Skim / Mariko Tamaki: I loved Skim for how it nailed the angst and tension of high school. In some ways Kim could be a total cliche. She tries out religion (Wicca), has a crush on her teacher, goes on awkward dates, has a friend who isn’t such a great friend, and even finds a friend in an unexpected person. But who didn’t have all (or most) of these experiences in high school? This universality makes the story transcend cliche. I was also really impressed by the length of the book. How many times do you read a graphic novel and think “that was short”? It usually doesn’t have any bearing on liking it, but I find myself wishing the reading experience had lasted longer. The length of Skim did not leave me feeling that way. (YA)
Anya’s Ghost / Vera Brosgol: I thought this one was very atmospheric and creepy, but the ending felt a little silly to me. I think this was the combination of ghost story combined with some more serious topics like fitting in, the immigrant experience, and damaging, dysfunctional romantic relationships. Minus the final scene with the ghost I think Anya’s Ghost did something really interesting using the ghost story to frame and highlight these issues. Despite the final scene with the ghost, though, I still really enjoyed the book as a whole. Anya was a likable and realistic teenager. And I’m always a sucker for a good creepy (but not to scary!) ghost story. (YA)
Amulet: The Stonekeeper / Kazu Kibuishi: This one wasn’t short on action by any means. This was a graphic novel I wanted to last longer because it was so exciting. There was a lot of mystery and suspense to keep the pages turning and combine with the graphic novel format, makes this a good book for reluctant readers. (Kidlit, MG)
Cleopatra in Space / Mike Maihack: Why, why why were these kinds of books not around when I was growing up?! I’ve never been a huge science fiction fan, but this has some aspects of Ancient Egypt in it so I would have been all over it. Even as an adult I really loved this story. Cleopatra isn’t your traditional heroine in that she is beautiful and good at everything. In fact she isn’t really into school and isn’t all that good at academics. But when it comes to guts and bravado (and the ability to aim a gun) she dominates. She’s also fairly self confident even if she feels a bit different and lonely, which could grate, but she’s not flawless so it felt more endearing and fun. She’s the kind of kid you would want to be friends with in middle and high school. A good one to recommend to fans of Zita the Spacegirl, reluctant readers, and Egypt fans. As a related side note, I wish the cover of this didn’t look so much like Zita. I feel like it makes it look more like it’s capitalizing on Zita‘s popularity (although I’m not sure which was published first, come to think of it). (Kidlit, MG)
Zita the Spacegirl / Ben Hatke: This was a graphic novel? I came away from it feeling like it read more like a regular novel. The story had complexity, adventure, awesome characters, and good world building. I’m not really sure what else to say about this one. I enjoyed it. Zita is a plucky girl with a good heart, but the story doesn’t come across as didactic. Again, I’m not really a sci-fi fan, but the story is a lot more complex than a genre. In fact I would say it’s more about doing the right thing and about friendship (although, again, it isn’t preachy). I would give this one to any kid that likes adventure, space-related or not. It’s just an all around good book. (Kidlit, MG)
Jane, the Fox, and Me / Fanny Britt: Helene and I share a love of Jane Eyre. I think she saw herself more in the pages than I ever did (I loved the hopelessly romantic and dramatic elements of it), but that was reason I picked up this one. It turned out to be a really beautiful story about the transformative power of friendship. I think a lot of girls can relate to Helene, who you might call a late bloomer. Her old set of friends has become far too cool and are awfully mean to her, (falsely) teasing her for being overweight. Helene really takes their messages to heart, as I think many girls who are teased do. She vacillates between wanting to appear cool and retreating into an escapist world found in Jane Eyre. However, the end is hopeful. On an overnight class trip she discovers a friend and ally in a girl who breaks with the popular crowd, possibly over the treatment of Helene. Stopping wallowing in her self pity does wonders for Helene’s outlook on life and Helene comes to see that being different may not be such a bad thing. She also realizes that she’s hearing some less than positive messages about weight from her mother (as well as her former friends) and that maybe she shouldn’t let their teasing get to her as much. As a school librarian, I’ve known kids like this and the story rang very true. (MG)